a) Purpose
This trailer is used to promote the psychological thriller
'Dead Man's Shoes' by Warp films in 2004. The trailer has been made to attract
the audience to watch the film, this film has been made to, at least primarily,
entertain an audience.
b) Form
Dead Man's Shoes is a stand-alone film and there does not
seem to have been any mention of intentions to make it part of a franchise.
c/d) Content and Meaning
The trailer gives the audience a relatively vague idea about
what happens in the film, it particularly focuses on the disequilibrium of the
film. By giving the trailer a non-linear structure fans can still know what to
expect but not have the entire movie ruined for them at the same time. As the
trailer progresses the violence gets more intense and so does the music, at
around 0:30 the music disappears almost completely and the next soundtrack
(which comes in towards the end of the trailer is much more elevated and
almost church-like. This makes the trailer seem very dramatic, I think, and it
coincides with the mis-en-scene.
The characters in this trailer are all dressed in very casual costume, this is to connote the middle class area where they are from and this also helps to make the characters more relatable to the audience.The same applies to the locations used; the film is set in Derbyshire, this is denoted through the use of a lot of country scenery.
The characters in this trailer are all dressed in very casual costume, this is to connote the middle class area where they are from and this also helps to make the characters more relatable to the audience.The same applies to the locations used; the film is set in Derbyshire, this is denoted through the use of a lot of country scenery.
Another important use of sound in this trailer is the amount
of dialogue. It uses a lot of dialogue, and I think that is another way of
making it feel local and getting a sense of what the characters are like, the
audiences will quickly be able to recognise accents of the characters which
creates verisimilitude.
The trailer also highlights two important pieces of iconography;
these are the gas mask and the axe. They both have very strong connotations of
aggression and violence; this is shown by the ways it cuts in to the character
using these items multiple times.
By using low key lighting throughout the trailer, this connotes the dark tone of the film.
The trailer users a lot of low angle close up shots of the main character, as this connotes that he is powerful as he is above the audience. The use of a close up shot also makes the characters emotions much more visible, which fits in with the tone of the film.
Most of the camera movement used in this trailer are panning shots and are used to show movement (such as at 1:44) or to show large groups of people (1:10). This selective use of camera movement helps make the trailer feel more grounded I think.
Interestingly this trailer fades in to and out of red at 0:52, this is not something a lot of trailers do so it catches the viewers eye straight away and of course has connotations of danger and violence. Another use of editing is of course towards the end of the trailer when the title and credits are zoomed in. Again, the colour red is used to connote danger and violence.
By using low key lighting throughout the trailer, this connotes the dark tone of the film.
The trailer users a lot of low angle close up shots of the main character, as this connotes that he is powerful as he is above the audience. The use of a close up shot also makes the characters emotions much more visible, which fits in with the tone of the film.
Most of the camera movement used in this trailer are panning shots and are used to show movement (such as at 1:44) or to show large groups of people (1:10). This selective use of camera movement helps make the trailer feel more grounded I think.
Interestingly this trailer fades in to and out of red at 0:52, this is not something a lot of trailers do so it catches the viewers eye straight away and of course has connotations of danger and violence. Another use of editing is of course towards the end of the trailer when the title and credits are zoomed in. Again, the colour red is used to connote danger and violence.
e) Genre
The film is a psychological thriller, and it shows typical
conventions of this genre. Most notably is the way the trailer lets you get
inside the lead character's head before the audience fully knows him. It does
through using close-ups to get a full picture of the character's emotions and
it uses some flashbacks (using black and white filters) to suggest to the
audience reasons for the current events.
The iconography is also important to representing the genre,
the axe in particular can be related to other psychological thrillers; namely
The Shining.
f) Audience
The film was given an 18 certificate by the BBFC, and I
think the trailer really appeals to this audience. This is shown through the
amount of violence in the trailer alone. I think with their being absolutely no women in the film trailer they are definitely trying to appeal to a male audience. Men will more likely relate to the male characters as well as the violence within the film which is stereotypically associated with men. As this is an independent film I think it is aimed towards people in the C1C2D categories. As the film is set in Matlock, a middle class county town.
a) Purpose
This trailer is used to promote the socio-realistic film
'This is England' also by Warp Films, and also directed by Shane Meadows. This
trailer has been made to attract an audience to watch the film which, again,
has been made primarily to entertain.
b) Form
'This is England' is not part of a film franchise. But it
does have three miniseries; the first of which, This is England '86, was
broadcast in 2010. The other two series, This is England '88 and This is
England '90, were broadcast in 2011 and 2015 respectively. The latter was
supposed to be broadcast in 2012 but Shane Meadows was busy with his
documentary film about 'The Stone Roses'.
c/d) Content and Meaning
One of the most important aspects of this trailer, I feel,
is the costumes and make-up used. As the film is set in the 1980's and centred
around the 'Skinhead' subculture of that time. Because of this costumes and
makeup are very important in representing that time period and creating
verisimilitude with the audience. I think the choice of Doc Martin boots and
denim jackets are particularly important pieces of iconography which connote
the choice of fashion in this culture and time period.
There is a lot of close-up shots in this trailer because it
is introducing a lot of characters, this is also again important to representing the films setting as the audience can
identify with particular hairstyles, makeup and tattoos.
The editing in this trailer users clips from the time period the film is set interspersed with actual footage from the film. These clips obviously the denote the 80's, and would be easily recognised by the target audience. The trailer also uses titles to help move the narrative forward. These are designed to look like ripped up paper; this has connotations of the anarchy associated with skinheads and popularised by Punk bands such as the Sex Pistols in the late 70's.
Interestingly, the trailer uses a high angled close up of Combo when he is first introduced in the trailer and low angle of Shawn (1:13). As this is usually used to connote someone as being a weak character it seems strange that Combo comes across as a very powerful character.
The editing in this trailer users clips from the time period the film is set interspersed with actual footage from the film. These clips obviously the denote the 80's, and would be easily recognised by the target audience. The trailer also uses titles to help move the narrative forward. These are designed to look like ripped up paper; this has connotations of the anarchy associated with skinheads and popularised by Punk bands such as the Sex Pistols in the late 70's.
Interestingly, the trailer uses a high angled close up of Combo when he is first introduced in the trailer and low angle of Shawn (1:13). As this is usually used to connote someone as being a weak character it seems strange that Combo comes across as a very powerful character.
e) Genre
This is England is a British Drama film. The conventions of
this genre are shown in this trailer by creating a familiar setting to
audiences. The nationalist views of some of the film’s characters are used to
enhance the connotations of violence and aggression, which are important themes
in most drama films.
f) Audience
The film has a certificate of 18 but I think it was originally
aimed at a slightly older audience, an
audience that can identify with the time period. I think because it could be so
relatable to an audience from the 80's it would be more appealing. I think the film appeals to a fairly even split of males and females, with the violence appealing more to a male audience and social context perhaps appealing more to a female audience. I think the film would be aimed towards people in the C1C2D categories because the characters within the film mostly fit in to these characters themselves and therefore would be more relatable.
a) Purpose
This trailer is used to promote the 2015 Thriller 'The
Gift'. This trailer is also used to attract an audience to watch the film which
has been primarily made to entertain.
b) Form
The trailer uses the film's title, The Gift, as an way to
attract the audience. It does this by starting with a close-up image of a bow
and then makes reference to various other types of gifts which appear
throughout the film. This is a standalone film meaning it is not a part of a
franchise.
c/d) Content and Meaning
This trailer actually gives the audience a fair idea of the
films main events, again focusing on the
film's disequilibrium.
The trailer mostly focuses on the dialogue to add the 'fear
factor'. Again, it uses a non-linear structure to make the audience fill in the
gaps. The part of the trailer which I find most appealing is at 2:07 and until
the end of the trailer where the antagonist's "Simon says" dialogue
is placed over a ton of jump cuts, the
soundtrack also begins to match his speech pattern which I think it's a really
clever way of adding those typical Thriller elements. The trailer also uses a lot of low key lighting to give it a darker feel.
Lots of close up shots are used to focus on 'the gifts' as of course it represents the films title and shows the audience that they are an important piece of iconography within the plot of the film.
The main use of camera movement comes from zoom ins and outs, this is used to denote the gifts which are of course an essential part to the movie's plot.
The film has a stark contrast in costume between two of the characters the last half of the trailer, whereas Simon continues to wear a smart shirt, Gordo wears this rough brown coat which I think connotes the difference in the two characters lifestyles. The very end of the trailer shows a man in a monkey mask, this is edited to give it a static appearancve. Both the costume and use of editing give the film its dark connotations and this amplified by the way the soundtrack speeds up towards the end of the trailer.
Lots of close up shots are used to focus on 'the gifts' as of course it represents the films title and shows the audience that they are an important piece of iconography within the plot of the film.
The main use of camera movement comes from zoom ins and outs, this is used to denote the gifts which are of course an essential part to the movie's plot.
The film has a stark contrast in costume between two of the characters the last half of the trailer, whereas Simon continues to wear a smart shirt, Gordo wears this rough brown coat which I think connotes the difference in the two characters lifestyles. The very end of the trailer shows a man in a monkey mask, this is edited to give it a static appearancve. Both the costume and use of editing give the film its dark connotations and this amplified by the way the soundtrack speeds up towards the end of the trailer.
e) Genre
The film, like Dead Man's Shoes, is a Psychological
Thriller; though the trailer alone makes it very clear that the two films have
a distinctive budget difference through the choice of actors and locations.
An important thing the trailer vaguely touches upon is the
antagonists troubled past, an important aspect of various psychological
thrillers. I think Joel Edgerton's performance as the antagonist, Gordon, is also very important as in the
trailer alone he gives the audience a very unsettling feeling, I think, which is another important aspects
of Psychological Thriller.
f) Audience
The certificate for this film was 15, and I'd say that this
is a fairly accurate minimum target audience.
Personally I would say this film is aimed at late teens/young adults and
the trailer uses some of it's more disturbing scenes to appeal to this mature
audience.
a) Purpose
This trailer is used to promote the Thriller '7 minutes'. This has yet again been made to attract an
audience to the film which has been made to entertain.
b) Form
The trailer only makes three references to the title, 7
minutes, one at the very beginning when we see a digital clock and an analogue
clock at the middle and end, just before the title comes up. This is also a
standalone film and not part of a franchise.
c/d) Content and Meaning
Again you get a clear idea of what this film is about. The
use of guns and the setting of a bank make it clear that this is a heist. The
fast pace of the soundtrack also gives the audience a clear idea of the fast
pace of this film and creates a very intense atmosphere.
The guns are also important as they are pieces of
iconography for both Thrillers and heist films. I think other things such as
the brief suggestion of drugs at 0:45 and the vaguely mysterious package prior
to that also make the audience a little unclear as to whom the primary
protagonist is (or if there is one at all). It is similar to the trailer for
'The Gift' in the way it has that 'fill in the gaps' non-linear structure. Interestingly, the trailer uses a lot of high key lighting. This helps to highlight the action scenes for the audience.
An important use of costume in the trailer is the masks which are shown throughout the trailer, and each of the characters are shown wearing one so they become a piece of iconography. Because the film has a band of protagonists the trailer uses a lot of wide shots to highlight all of the characters at once.
The editing is again used to show the titles for the film and help display some details of the narrative. At 1:15 the footage is also edited to speed up a R-L panning shot of a police officer, I think this is used to match the trailer's soundtrack and give connotations of danger and action.
An important use of costume in the trailer is the masks which are shown throughout the trailer, and each of the characters are shown wearing one so they become a piece of iconography. Because the film has a band of protagonists the trailer uses a lot of wide shots to highlight all of the characters at once.
The editing is again used to show the titles for the film and help display some details of the narrative. At 1:15 the footage is also edited to speed up a R-L panning shot of a police officer, I think this is used to match the trailer's soundtrack and give connotations of danger and action.
e) Genre
7 Minutes is, as previously mentioned, a Thriller. And so
that is where it becomes easy to draw comparisons to the likes of the trailers
for 'The Gift' and 'Dead Man's Shoes' as they all show or suggest the use of
guns and other firearms in their trailers so it quickly becomes clear that this
is an important aspect to the Thriller genre.
f) Audience
The film has a certificate of 15 and I feel again like this
is a fairly appropriate audience. I think this is certainly marketed towards
teens mostly because the main characters are high school students and whilst
this isn't so evident in the trailer, it is still evident that the cast are
mostly young adults so I can see why that audience would be targeted too.
a) Purpose
This trailer has been made to promote the 1995 comedy
'Mallrats'.
b) Form
This film is the prequel to the 1994 black and white comedy
'Clerks' and is the second instalment in the 'View Askewniverse'. Most
prominently are the characters 'Jay and Silent Bob' who appear in almost all of
the View Askewniverse films. The films sequel 'MallBrats' is currently in
production and expected to have a 2017 release.
c/d) Content and Meaning
The most significant thing in this trailer, I think,
is how it is in a typical 'Kevin Smith'
style and the links to the film 'Clerks'
become very obvious. The cuts to
introduce each character not only make it comparable to the trailer for
'Clerks' but also gives the trailer that authentic 'cheap' feel despite the fact that this film had a
much larger budget than its predecessor.
The film also uses several rock tracks (all of which are
shown at the end of the trailer) which I think vaguely add to the comedic
aspect, particularly during cuts where the music briefly pauses. I think it is also used to relate to the
audience as the Rock and Punk scenes were thriving at the time of the film’s
release.
The film uses really tacky cheesy title cards to introduce each of the characters, the way the words whirl around the whole screen is certainly used to connote the comedic tone of the film.
The trailer mostly includes medium shots, as there are quite a range of characters, and camera movement is only really used to track the movement of a character. I think that this is done because of the way that comedies rely on their characters often more than their plot.
The costume is mostly casual and relative to the time it was made except for when Silent Bob dresses up as Batman; whilst this is obviously done for comedic effect, it does also have connotations of the 'nerdy' background to the film
The film uses really tacky cheesy title cards to introduce each of the characters, the way the words whirl around the whole screen is certainly used to connote the comedic tone of the film.
The trailer mostly includes medium shots, as there are quite a range of characters, and camera movement is only really used to track the movement of a character. I think that this is done because of the way that comedies rely on their characters often more than their plot.
The costume is mostly casual and relative to the time it was made except for when Silent Bob dresses up as Batman; whilst this is obviously done for comedic effect, it does also have connotations of the 'nerdy' background to the film
e) Genre
The film is a romantic comedy; it is clearly a comedy to its
light-hearted approach. The romance is, I think, very vague and is only shown
when the two characters Brodie and Rene are speaking at the very
beginning. It also shows brief kissing
and the protagonist, Brodick, on a game show called 'Truth or date’ which does
have clear connotations of love and romance.
f) Audience
The film was given a certificate of 15 and personally I
think the type of comedy in it would appeal to this sort of age. The only reason I think that this film is
perhaps aimed at an audience slightly older is due to the film's 'Cult
following' which developed from the release of 'Clerks' which was evidently
aimed at University students. This is also shown in the Mallrats trailer as it
is the approximate age of most of the cast and so this age audience can relate
to the lifestyle led by these unorthodox characters. Most of the characters in the film are male and therefore I think it is more likely to relate to a male audience. The film draws some of it's comedy from comic books, which stereotypically is also associated with a male audience. I think this film is aimed towards people in the BC1C2 categories. Whilst it was still made by an independent studio, the film evidently has a larger budget than Smith's previous film 'Clerks' and so I think it would be aimed at an audience with a little more disposable income.
No comments:
Post a Comment